Photography
The Refugee Child Photographers

The Refugee Child Photographers

Lebanese photojournalist Ramzi Haidar was in Iraq covering the refugee crisis in 2003. Passing the time between assignments, Haidar talked and played with children who were curious about his equipment. Seeing what they saw and how they saw it, he became intrigued by the potential of child photographers to document the devastating circumstances in which they found themselves. Unlike adults who may have become jaded and cynical to a seemingly hopeless situation they did nothing to create, children are innately positive and open-minded.

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Picturing Genocide

Picturing Genocide

Sudanese girls seen in Darfur, Sudan, June 25, 2005. The 12-year-old girl wearing the striped scarf, front, reported how she was separated from her two friends, and raped by soldiers from the Sudanese government. Photo by R. Haviv

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Attila Durak

For almost 100 years, the system here has been trying to create a nation, one nation that represses, that says we are one Turkey. For the Ottoman Empire, religion was the base; ethnicity was not important. When Italy was formed, only eight percent of Italian people spoke Italian. From that base population, they created Italy. It was the same story with France. So Turkey, too, tried to create a nation of Turks. They say we are a mosaic. That means different colors, but they’re not touching because there is cement in between. The Turkish culture is very old, going back 10,000 years. All this time there has been a mixing of cultures. So this metaphor is wrong. It doesn’t define the Anatolian land. A better metaphor is ebru. We invented this art, of colors swirling on paper. The fluidity of this metaphor better explains us. It is the metaphor with which we can start to talk.

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